狄仁杰之西域妖姬

简介：富商儿子红鱼（唐从圣饰）从父亲那里学到很多骗人之术，他和纶纶（柯宇纶饰）、牙膏（王启赞饰）、香港（张震饰）组成一个四人小集团，到处敛财骗色。有一次，他们在咖啡店里遇见从法国来台北寻找男友的女孩马特拉（维吉妮亚•雷多尔恩饰），红鱼就此盯上了她，意图欺骗对方。

简介：马建新（陈建斌饰）是火车修理厂里的一名员工，虽然平日里沉默寡言毫不起眼，但他对待工作却格外的认真和踏实，是一个靠谱的青年。某日，工厂派马建新前往铁路系统学习班深造，在那里，马建新结识了名为李卫华（吴...

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简介：该片以90后的高中生为背景，讲述了平凡女汉子雷雨与校园学霸男神夏仁的一段初恋爱情故事。十七岁的雷雨（summer饰）是一个性格爷们儿且长相平凡的高中生，因为家庭重男轻女的原因，在班级里开起了“小卖部”来实现自己少女时代的每一个细小愿望。因为一次迟到，认识了转校生—夏仁（夏海涛饰）。为了让小伙伴们每天都来照顾自己的“生意”，雷雨同意打赌追求这位学霸男神。在小伙伴们的怂恿下，雷雨展开了一系列夸张的疯狂举动，却屡遭失败。但在这疯狂追求夏仁的过程中，雷雨却逐渐喜欢上了夏仁，从此改变了自己的人生轨迹。

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简介：此片根据詹姆斯·艾罗瑞(JamesEllroy)的小说改编，描写了1950年代，警界腐败、犯罪纵横的洛杉矶。杰克·文森（凯文·斯派西饰）是警界名人，常常出现在电视媒体中，与《嘘嘘报》的八卦记者狼狈为奸，靠制造和揭发明星的桃色新闻，赚取外快。艾德·艾斯力（盖·皮尔斯饰）子承父业进入警局，野心勃勃，做事严谨，因为出卖同事而升职，受到大家的排挤；巴德·怀特（罗素·克劳饰）铁面无私，但是个性冲动，容易遭人利用。一桩疑似抢劫的餐厅命案将这三个人联系起来。艾德·艾斯力找到了三个黑人嫌疑犯，并被判死刑结案，还因此收到上级嘉奖，但是他却在进一步的调查中发现案子并没有那么简单，他说服了杰克·文森和他一起继续追查；巴德·怀特对餐厅命案一直心存怀疑，他找到的线索也显示，案子根本没有想象中那么简单。三个人迅速被卷入一个色情、毒品、谋杀、背叛、贪污、阴谋交织的网中，惊人的内幕

简介：　　故事发生在民国年间的上海。因为小说名家古鹏（乔奇饰）新作问世，与其秘书徐梦飞（周野芒饰）在众人面前因著作权产生冲突，导致徐梦飞第二天被人杀害，新闻界一片哗然。大侦探霍桑（翟乃社饰）介入此案侦破，他在现场勘查了所有物证，并对古鹏产生了怀疑。当他携带证据找古鹏父女对质时，一个叫苏淑琴（赵雪芹饰）的女人来自首，承认自己是凶手，是因徐喜新厌旧而杀了他。验尸报告出乎所有人意外，死者竟不是徐梦飞。正在这时，苏淑琴离奇死亡，又给侦破工作蒙上光怪陆离的阴影。考虑再三，霍桑准备用引蛇出洞的方法擒获真凶。于是，《申报》刊登出古鹏住院的消息......

简介：　　Setin19thcenturyImperialRussia,thestoryrevolvesaroundaretiredarmyveteranwhomakesagoodlivingbysettlingduelsforaristocrats,acommonpracticeoftheera.

简介：　　吉塔拉尼担任了政府学校的新任女校长，不得不面对淘气的学生、无能的教职员工和缺失的规则。重重困难下，她能否改革教育系统和社会？

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简介：　　SomethingterrifyingishappeningoffthecoastofBlockIsland.Astrangeforceisthriving,influencingresidentsandwildlifealike.

简介：　　Somewhereintheremoteregion,thewarends.Inthemidstofruinedcitiesandhousesinthestreets,inruralhamlets,everywherewherepeoplestilllive,arechildrenwhohavelosttheirhomesandparents.Abandoned,hungry,andinrags,defenselessandhumiliated,theywanderthroughtheworld.Hungerdrivesthem.Littlestreamsoforphansmergeintoariverwhichrushesforwardandsubmergeseverythinginitspath.Thechildrendonotknowanyfeelingtheyknowonlytheworldoftheirenemies.Theyfight,steal,struggleforamouthfuloffood,andviolenceismerelyameanstogetit.AgangledbyCahounfindsarefugeinanabandonedcastleandencountersanoldcomposerwhohasvoluntarilyretiredintosolitudefromaworldofhatred,treason,andcrime.Howcantheyfindacommonground,howcantheybecomemutualfriends?Thecastlebecomestheirhidingplacebutpossiblyitwillalsobetheirfirsthomewhichtheymayorganizeandmustdefend.Butevenforthis,thepricewillbeveryhigh.　　Tothissimplestory,thejournalist,writer,poet,scriptwriter,moviedirector,andfilmtheoreticianBélaBalázsappliedmanyyearsofexperience.HeandthedirectorGézaRadványicreatedaworkwhichopenedanewpostwarchapterinHungarianfilm.Surprisingly,thisfilmhasnotlostanyofitsimpactovertheyears,especiallyonaprofoundphilosophicallevel.Thatistosay,itisnotmerelyamovieaboutwaritisnotimportantinwhatlocationandinwhatperiodoftimeittakesplace.Itisastoryoutsideoftimeaboutthejoylessfateofchildrenwhopaydearlyforthecruelwargamesofadults.　　Atthetimeitwaspremiered,themoviewasenthusiasticallyreceivedbythecritics.Themainrolesweretakenbystreetwiseboysofachildren&#39sgroupwhocreatedtheirrolesimprovisationallyinclosecontactwithafewprofessionalactors,andinthechildren&#39sactingtheirownfreshexperienceofwar&#39sturmoilappearstobereflected.Atthesametime,theirperformancefitsadmirablyintothemosaicofaverycomplexmovielanguage.Balázs&#39sinfluencerevealeditself,aboveall,intheintroductorysequences:anairraidonanamusementpark,seeninamontageofdramaticsituationsevokingthelastspasmsofwar,where,undoubtedly,wediscerntheinfluenceofclassicalSovietcinematography.Shooting,theboy&#39sescape,thelocomotive&#39swheels,theshadowsofsoldierswithsubmachineguns,thesoundofawhistle—theimagesarelinkedtogetherinabruptsequencesinwhichvaryingshotsandexpressivesharpsoundsareemphasized.Aperfectlyplannedscreenplayavoidedallelementsofsentimentality,time-wornstereotypesofwrongedchildren,romanticismandcheapsimplification.Theauthorssucceededinbridgingtheperilousdramaticabyssofthemetamorphosisofachildren&#39scommunity.Theirtellingofthestory(thesceneofpillaging,theassaultonthecastle,etc)independentlyintroducedsomeneorealistelementswhich,atthattime,werebeingpropagatedinItalybyDeSica,Rossellini,andotherfilmartists.Therebukesofcontemporarycritics,whocalledattentionto&quotformalismforitsownsake&quothavebeenforgotten.ThemasterlyartofcameramanBarnabásHegyigivesvitalitytothepoeticimages.Hisangleshotsofthechildren,hiscompositionofscenesinthecastleinterior,arealivingdocumentofthetimes,andunderlinetheatmosphereandthecharactersoftheprotagonists.ThesuccessofthepicturewasalsoenhancedbythemusicalartofcomposerDénesBudaywho,intensesituations,insertedthethemeoftheMarseilaiseintothemovie&#39sstructure,asamotiveofcommunityunification,asanexpressionoffriendshipandthepossibilityofunderstanding.　　ValaholEuropabanisthefirstsignificantpostwarHungarianfilm.Itoriginatedinarelaxedatmosphere,repletewithjoyandeuphoria,anditincludestheseelementsinordertodemonstratethestrengthofhumanism,tolerance,andfriendship.Itrepresentsageneralcondemnationofwaranywhereintheworld,inanyform.