山林喋血

简介：小戏骨《洪湖赤卫队》是以王玉珍主演的《洪湖赤卫队》为蓝本改编，讲述1930年湖北沔阳县委为配合红军行动，暂时把赤卫队撤离彭家墩。彭家墩恶霸彭霸天趁红军转移暂离洪湖之际卷土重来。洪湖赤卫队在乡党支部书记韩英和队长刘闯的带领下，与敌人展开了艰苦曲折的斗争。韩英不幸被捕入狱。面对敌人的威逼利诱，韩英始终坚贞不屈。赤卫队最终打回彭家墩，消灭了保安团和地方反动武装，红旗又在洪湖上迎风飘扬。

简介：　　In1961,StanislawRozewiczcreatedthenovellafilm&quotBirthCertificate&quotincooperationwithhisbrother,TadueszRozewiczasscreenwriter.Suchbrothertandemsarerareinthehistoryoffilmbutasidefromfamilyties,Stanislaw(bornin1924)andTaduesz(bornin1921)weremutuallyboundbytheirloveforthecinema.TheywerebornandgrewupinRadomsk,asmalltownwhichhad&quotitsmadmenanditssaints&quotandmostimportanly,the&quotKinema&quotcinema,asStanislawrecalls:forhimcinemais&quotheaven,thewholeworld,enchantment&quot.Tadeuszsaysheconsiderscinemabothacharmingmarketstallandamysterioustemple.&quotAllthissavagelandhasalwaysattractedandfascinatedme,&quothesays.&quotIamdevouredbycinemaandIdevourcinemaI&#39macinemaeater.&quotButTadueszRozewicz,aneminentwriter,admitsthisuniqueformofcooperationwasaproblemtohim:&quotItisthepresenceoftheotherpersonnotonlyintheprocessofwriting,butatitsverycore,whichisinserperableformefromabsolutesolitude.&quotSomescenesthebrotherswrotetogetherotherswerecreatedbythewriterhimself,followingdiscussionswiththedirector.Butfromtheperspectiveoftime,itis&quotBirthCertificate&quot,ratherthan&quotEcho&quotor&quotTheWickedGate&quot,thatTadueszdescribesashismostintimatefilm.Thisisunderstandable.ThetradgeyfromSeptember1939inPolandwasfortheRozewiczbrotherstheirpersonal&quotbirthcertificate&quot.Whenworkingonthefilm,thedirectorsaid&quotThistimeitisallaboutshakingoff,gettingridofthepsychologicalburdenwhichthewarwasforallofus....Cooperationwithmybrotherwasinthiscaseeasier,aswesharemanywarmemories.Wewantedtoshowtoadultviewersapictureofwarasseenbyachild....Inreality,itistheadultswhocreatedtherealworldofmassacres.Childrenbeheldthehorrorscomingbacktolife,exhumedfromunderneaththeground,overwhelmingtheearth.&quot　　Theprincipleofcompositionof&quotBirthCertificate&quotisnotobvious.Whenwatchinganovellafilm,wetendtothinkintermsoftraditionaltheatre.WeexpectthataminiaturestorywillfinishwithasharppointthethreefilmnovellasinRozewicz&#39sworklackthisfeature.Wedonotknowwhatwillbehappentotheboymakinghisalonethroughtheforesttowardstheendof&quotOntheRoad&quot.Wedonotknowwhetherin&quotLetterfromtheCamp&quot,thehelpofferedbythesmallheroestoaSovietprisonerwillrescuehimfromtheunknownfateofhiscompatriots.ThefateoftheJewishgirlfrom&quotDropofBlood&quotisalsounclear.Willshekeephernewimpersonationas&quotMarysiaMalinowska&quot?OrwilltheNazismakeherintoarepresentativeofthe&quotNordicrace&quot?Thosequestionswereaskedbythedirectorforareason.Hepreceivedwaraschaosandperdition,andnotaslinearhistorythatcouldbereflectedinaplot.Although&quotBirthCertificate&quotissaturatedwithmoralcontent,itdoesnotaimtobeamoralityplay.Butwiththeimmensepressureofreality,novarientoffateshouldbeexcluded.ThisapproachedcanbecomparedwthKrzysztofKieslowski&#39s&quotBlindChance&quot25yearslater,whichpictureddramaticchoicesofadifferentera.　　Thefilmnovella&quotOntheRoad&quothasaverysparingplot,butitdrewspecialattentionofthereviewers.TheominatingovertoneofthewarfilmscreatedbythePolishFilmSchoolatthattimeshouldbekeptinmind.MainlyowingtoWajda,thosefilmsdealtwithromanticheritage.Theywerepermeatedwithpathos,bitterness,andirony.Rozewiczisanextraordinaryartist.Whennarratingastoryaboutaboylostinawarzone,carryingsomedocumentsfromtheregimentofficeasiftheywereatreasure,thenarratorin&quotOntheRoad&quotdiscoversroughprosewhereoneshouldfindpoetry.Andsuddenly,theirrationaltouchesthisrathertameworld.Theboy,whountilthatmomentresembledaPolishversionoftheGoodSoldierSchweik,setsoff,likeDonQuixote,forhisfirstandlastbattle.Acriticdescribeditas&quotanabsurdgestureandsomeoneelsecouldsurelyuseittocriticisethePolishstyleofdying....ButtheRozewiczbrothersdonoaccuse:theyonlycomposeanelegyforthepicturesquepeasant-soldier,probablythemostimportantveteranofthePolishwarof1939-1945.&quot&quotBirthCertificate&quotisnotaloftystatementaboutnationalimponderabilia.ThefilmrevealsaplebeianperspectivewhichAleksanderJackieqiczoncecontrastedwiththose&quotlyricallamentations&quotinherentintheKordiantradition.However,ahistoricaloverviewofRozewicz&#39sworkshowsthatthedistinctivestyledoesnotsignifyafundamentaldifferenceinillustratingthePolishSeptember.JustasthememorablescenefromWajda&#39s&quotLotna&quotwasinfactanexpressionofdesperationanddistress,thesameemotionspermeatethefinalsceneof&quotBirthCertificate&quot.Thesearenotideologicalconcepts,thoughoncedescribedassuchandferventlydebated,butratherpsychologicalcreations.Inthisspecificcase,observesWitoldZalewski,itisnotaboutmanifestingknightlypride,butaboutagestureofasimplemanwhodoesnotagreetobeenslaved.　　Thenovella&quotDropofBlood&quotis,withAleksanderFord&#39s&quotBorderStreet&quot,oneofthefirstnarrationsofthefateofthePolishJewsduringtheNazioccupation.Thestoryaboutagirlliterallylookingforherplaceonearthhasadramaticdimension.Especiallyintheageoftoday&#39sjournalisticdisputes,oftenmanipulative,lackinginempathyandimbuedwithbadwill,Rozewicz&#39sstoryfromthepastshockswithitsauthenticity.ThesmallherioneofthestoryistheonlyonewhosurvivesaGermanraidonherfamilyhome.Physicalsurvialdoesnot,however,meanareturntonormality.Herfrighteneddeparturefromtherubbishdumpthatwasherhideoutleadhertoaruinedapartment.Herwalkarounditispainfulbecausestillfreshsignsoflifearemixedwithevidenceofannihilation.Helpisneeded,butMirkadoesnotknowanyoneintheoutsideworld.Hersubsequentattemptsexpressthestateofthefugitive&#39sspirits-fromhopeandfaith,movingtodoubt,asenseofoppression,andthickeningfear,andfinallytodespair.　　Atthesametime,theJewishgirl&#39ssearchforrefugeresemblesthestateofPolishsociety.TheappearanceofMirkaresultsinconfusion,andlater,trouble.ThiswasalreadysignalledbyRozewiczinanexceptionalscenefrom&quotLetterfromtheCamp&quotinwhichtheboy&#39sneighbour,seeingafugitiveRussiansoldier,retreatsimmediately,admittingthat&quotNow,peopleworryonlyaboutthemselves.&quotSuchembarassingexcusesmaskfear.Duringtheoccupation,noonefeelssafe.Neithersocialstatusnottheaegisofacharityorganisationprotectsagainstrepression.WeseethepotentialguardiansofMirkapassingherbackandforthamongthemselves.Thesearefriendlyhandsbuttheycannotofferstrongsupport.Thestorytakesplaceonthatthinlinebetweensolidarityandheroism.Solidarityarisesspontaneously,butonlysomearecapableofheroism.Helpforthegirldoesnotalwaysresultfromcompassionsometimesitisbasedonpastrelationsandpersonalties(aneighbourofthedoctortakesinthefugitiveforafewdaysbecauseofpastfriendship).Rozewiczportraysallofthisinasubtlewayeventhesmallestgesturehassignificance.Take,forexample,theconversationwithastrangeronthetrain:short,asifjotteddownonthemargin,butsofulloftension.Andearlier,apeculiarexaminationofPolishness:the&quotHolyFather&quotprayerforcedonMirkabythevillageboystocheckthatsheisnotaJew.Wouldnotrisingtothechallengemeanadeathsentance?　　Viewedaftermanyyears,&quotBirthCertificate&quotdisclosesyetanotherqualitythatisnotpresentintheworksofthePolishSchool,butisprominentinlaterB-classwarfilms.Thisisthepictureofeverydaylifeduringthewarandoccupationoutlinedinthethreenovellas.Itharmoniseswiththelogicofspeakingabout&quotlifeafterlife&quot.SmallheroesofRozewiczsuddenlyentertherealityofwar,withnoexperienceorscalewithwhichtocompareit.Forthem,thepresentisanaturalextensionofandatthesametimeacompletenegationofthepast.Considerthesleeysmall-townmarketplace,throughwhicharmouredcolumnswillshortlypass.OrmeettheGermanmotorcyclists,wholooklikealiensfromouterspace-apicturetakenfromanautopsybecausethisishowStanislawandTadueszperceivedthefirstGermanstheyevermet.Notetheblurredsilhouettesofpeopleagainstawhitewallwhoarebeingshot-atfirsttheyareshocking,butsoontheywillprobablybecomeapartofthegrimlandscape.Inthecitycentrestandsaprisonercamponasoddenbog(&quotPeopleperishlikesfliesthebodiesaretransportedduringthenight&quot)inthestreetthechildernarerunningafteracoalwagontocollectsomepreciouspiecesoffuel.There&#39sabustlearoundsomefood(aboyreproacheshisyoungerbrother&#39sactionsbysinging:&quotThewarrantofficer&#39ssonisbegginginfrontofthechurch?I&#39mgoingtotellmother!&quot)andthekitchen,whichoneeveningbecomestheprosceniumofarealdrama.Andtherearethesymbols:abarofchocolateforceduponaboybyaWehrmachtsoldier(&quotOntheRoad&quot)apairofshoesbelongingtoZbyszek&#39sfatherwhichtheboyspontaneouslygivestoaRussianfugitiveapricelesssliceofbread,groundundertheheelofapolicemanintheguter(&quotLettersfromtheCamp&quot).Asthedirectorputit:&quotIneveryfilm,Icommunicatemyownvisionoftheworldandofthepeople.Onlythenthestylefollows,thedefinedwayofexperiencingthings.&quotInBirthCertificate,headds,hisapproachwasdrivenbythesubject:&quotIattemptedtocreatenotonlythetextureofthedocumentbutalsotoaddsomepoeticelement.Iknowitisriskybutasforthemergerofdocumentationandpoety,oftenhiddenverydeep,ifonlyitmanagestomakeitswayontothescreen,itresultsinwhatcanreferredtoas&#39art&#39.&quot　　After1945,therewerenumerousfilmscreatedinEuropethatdealtwithwarandchildren,including&quotSomewhereinEurope&quot(&quotValaholEuropaban&quot,1947byGezaRadvanyi),&quotShoeshine&quot(&quotSciescia&quot,1946byVittoriodeSica),and&quotChildhoodofIvan&quot(&quotIwanowodietstwo&quotbyAndriejTarkowski).Yettherewerefewerthanonewouldexpect.Pursuingasubjectsoimbuedwithsentimentalismrequiresstylisticdisiplineandaspecialabilitytomanagechildactors.Theauthorof&quotBirthCertificate&quotmasteredboth-anditwasnotbychance.StanislawRozewiczwasalwaysthebeneficentspiritofthefilmmilieuhecouldunitepeoplearoundacommongoal.Heemanatedpeaceandsensitivity,whichflowedtohisco-workersandpupils.Afilm,beingagroupwork,necessitatessomeformofempathy-tuninginwithothers.　　InabiographicaldocumentaryaboutStanislawRozewiczentitled&quotWalking,Meeting&quot(1999byAntoniKrauze),thereisabeautifulscenewhenthedirector,afterafewdecades,meetsBeataBarszczewska,whoplaysMireczkainthenovella&quotDropsofBlood&quot.Thewomanfallsintothearmsoftheelderlyman.Theyarebothmoved.Hewondershowmanyyearshavepassed.Sheanswers:&quotAfewyears.Nottoomany.&quotAndRozewicz,withhischaracteristicsmilesays:&quotItistrue.Wespentthisentiretimetogether.&quot

简介：二次世界大战期间，美国政府密令军方潜入一中立港口，摧毁德国军舰。既然是中立港口，英国军官路易斯庞和葛文瓦特决定，任何任务失败的人都需三缄其口，他们故意派出酒醉的老人假扮村民，这些老兵真能立大功顺利摧毁敌舰吗？

简介：凯瑟琳上校（海伦·米伦HelenMirren饰）率英国情报单位追捕一名女性恐怖分子长达六年，经由美军加入高空监视行动，好不容易在秘密基地找到疑似她的身影，特种部队准备活捉她时，高空侦查人员却意外发现该名恐怖分子正与其他人密谋自杀炸弹攻击，为了防止伤害，凯瑟琳下令轰炸秘密基地将敌人歼灭。当无人战斗机的驾驶员史蒂夫（亚伦·保尔AaronPaul饰）瞄准目标后，却发现这个“秘密基地”竟然是普通的民居，而一名女孩更是跑进他的攻击范围玩耍，原本单纯的跨国逮捕行动瞬间变成复杂难解的反恐任务……

简介：　　InSkazka,AlexanderSokurovweavesdigitalmagictocreateaphantasmagoricalvisionoftheAfterlife,worthyofDante.Butwait:areweinthelimboofPurgatory,oraparadoxicalParadisereservedfornotoriousmenofworldhistory?Mussolini,Stalin,Hitler,Churchillandmore:allarepresentandaccountedfor.Sincetheyexistonlyasarchivalmediaimages,eachfigurecomesinaserialset.　　Intheblackestofpoliticalcomedies,thesefallenmenbeg,inturn,tobeletthroughHeaven’sGate–buttheangelswhopeekthroughneveropenwide.Littlewonder,astheformerleaderswanderlistlessly,bitching(inaBabelofmultiplelanguages)abouteachother’sclothes,hairandhygiene.　　Inwhatiseffectivelyaworkofanimation,Sokurovhaspulledtogethermanytalentsintoanextraordinarytechnologicalfeat.Itblendspictorialelementsfromarthistorytoformanendlesslyunfoldinglandscape,repletewithfogandghostlyarmiesofthesacrificedvictimsofhistory.AnnouncedasSokurov’slastfilm,SkazkaisaninspiredriffonthehighcultureofPeterGreenawaymixedwiththelowcultureofmash-upartistsSoda_Jerk.CanwenowexpectsomeentrepreneurtobringustheinteractiveSkazkavideogame?

简介：1941年11 月，就在那场可怕的苏德冬季战争刚刚开始的时候，当封锁圈将列宁格勒包围之时，一群年轻的冰上赛艇运动员踏上了那片薄薄且尚未完全冻结的冰面。原本运送弹药的任务变成了营救那些未能及时撤离的孤儿院里的孤儿的行动。曾经在赛艇比赛中是对手的他们现在必须团结起来，为了求生，也为了给其他人带来希望。

简介：　　1950年，朝鲜南北两个政权发生内战，未过多久，美国宣布参战，并且趁机对我国东北部展开轰炸，还派出舰队封锁台湾海峡，以阻挠中华民族统一大业的完成。危急存亡之时，我方高层展开连番慎重的讨论和推演，并派出周总理前往莫斯科请求斯大林的支援。然而斯大林模棱两可，我方又处于建国之初，百废待兴的艰苦阶段。但是为了保家卫国，御敌于国门之外，毛主席毅然决然派出由彭德怀同志（王砚辉饰）率领的人民志愿军入朝作战。　　冰天雪地，战火纷飞。志愿军战士们面临的是与自己无论从国力还是装备都有着天壤之别的敌人，可是为了心中的理想，为了子孙后辈的安居乐业，他们甘愿抛头颅洒热血，朝着胜利勇敢前进……

简介：　　1945年5月，见习小八路董存瑞（张良）和同村好友郅振标（杨启天）要求像其它青年一样参军抗日，因年龄太小被赵连长（张莹）拒绝，两人尤其董存瑞很不服气，却也无可奈何。一次反“扫荡”中，区党委书记王平不幸牺牲，临死之际，他托付董存瑞替他上交最后一次党费，董存瑞和郅振标代王平完成心愿时，也如愿成了八路军的一员。经历抗日战争、内战的枪火洗礼，董存瑞逐渐由鲁莽、冲动的孩子蜕变成为真正的革命战士。　　1948年5月，在解放隆化的战役中，已成为共产党员的董存瑞被任命为爆破队长，在执行任务的紧要关头，董存瑞为减少战友伤亡，做出震撼后人的举动，成为英雄。

简介：　　影片聚焦第二次世界大战盟军策划的“绞肉行动”，歼灭德军数十万，为二战胜利奠定基础。1943年，盟军决定打破希特勒对被占领的欧洲地区的统治，情报官员埃文（科林·费尔斯饰）和查尔斯（马修·麦克费登饰）想出了一个妙不可言的假情报策略：用一具携带虚假机密的尸体误导德军，将其注意力引向希腊。希特勒中计后，盟军登陆了西西里岛，歼灭近20万德军，为欧洲战场的胜利奠定了坚实的基础。

简介：影片讲述二战初期，由37支盟军船只组成的护航舰队在欧内斯特·克劳斯（汤姆·汉克斯饰）舰长率领的一艘美国驱逐舰指挥下，穿越险恶的北大西洋，同时还要与德国U型潜艇狼群的周旋。

简介：　　阿富汗人穆罕穆德（文森特·加洛VincentGallo饰）在荒芜的山地中偶遇三名美军，他在惊慌失措中用手中的武器杀死了他们。穆罕穆德被随后赶到的美军活捉，在美军监狱中遭到审讯和虐待。在押解的路上，美军车辆遭遇车祸，默罕默德于混乱中意外的获得了自由。他在冰天雪地中杀死过路人，抢夺了车辆和衣服，又在美军的追踪中杀死军犬。在杳无人烟的森林中，默罕默德依靠树皮充饥，为生存进行卓绝的困兽之斗，在冰雪的侵袭中，他依稀看到了往日的时光，并神奇的感知未来发生的事情。默罕默德的逃亡之路伴随着几乎随机发生的杀戮，恶劣的生存环境促使他回归原始……

简介：　　1946年，远东国际军事法庭在东京审判日本战犯，当时法庭由11个国家的11名法官组成，受中国国民政府的委任，以梅汝璈（刘松仁饰）为首的中国法官在3月20日飞抵东京。《大公报》记者肖南（朱孝天饰）负责远东国际军事法庭的全程跟踪报道，战前相爱的恋人和田芳子（林熙蕾饰）与他相会。在宴会上，肖南目睹了梅汝璈的激动和欢欣，却预感到此行必定多艰难。　　审判终于开庭了，中国代表团遭受到了种种困难和挫折，整个法庭不赞成死刑的人居然占多数。面对各国法官们的偏见与刁难，中国法官和检察官们与他们斗智斗勇，克服了对美国法律不了解的种种不利因素，在庭审辩论中取得了上风。最终法庭是否能将东条英机等臭名昭著的战犯送上绞刑架呢？